How to Build Better Ads With Customer-Led Angles

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November 10, 2025
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Spencer Pawliw
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How to Build Better Ads With Customer-Led Angles

TL;DR

Prioritize the customer-facing angle, meaning what the product offers and why someone should care, over the ad’s format or concept. Spend roughly 80% of creative effort understanding the customer and developing relevant messaging, then 20% choosing how to present it. Even an unattractive ad can convert when its claims, comparisons, problems, or benefits resonate with the intended customer.

Transcript

I want to make a video to help you understand why you suck at making ads and how you can stop sucking at making ads by just following what I'm about to show you in this video. And so I want to share my screen here so this can really hit home. But there's two definitions that we need to define here before we actually have this conversation which is ... Read More

Key Insights

  • A concept is the marketer’s broad idea for what to test, such as a comparison, before-and-after presentation, problem-aware ad, post-it-note execution, AI podcast ad, or numbered list. It describes the creative structure rather than the specific reason a customer might purchase.
  • An angle is how a product is sold or communicated to the customer. It addresses what is in the offer for that person, including the relevant problem, desired transformation, meaningful comparison, or persuasive reason that makes the message matter.
  • A comparison format is not sufficient by itself because performance depends on what products, features, or outcomes are compared. The speaker reports that some comparison ads fail completely, while others have spent $20,000 per day, showing that the underlying message creates the difference.
  • Customers buy because of the substance inside an advertisement, not because it follows a format such as “three reasons why.” The number and structure of the reasons are secondary to whether those reasons are relevant, persuasive, and connected to what the customer values.
  • The recommended creative allocation is 80% attention to the person receiving the advertisement and 20% attention to how the message will be communicated or displayed. This reverses the common tendency to spend most creative effort searching for formats and concepts.
  • An unattractive advertisement can convert when its angle is strong and its message is relevant. The speaker cites Barry Hott’s “make ugly ads” approach to illustrate that visual polish is less important than clearly saying something the intended customer cares about.
  • Ad performance is more useful than the marketer’s personal opinion because the customer determines whether the message succeeds. The speaker suggests checking whether an ad received spend and purchases instead of asking another marketer for a purely subjective creative judgment.
  • Customer research is the foundation for stronger angles because marketers need to understand what customers care about and how to communicate it. Suggested research sources include Reddit, YouTube, Google, ChatGPT, and Claude, with the goal of making successful messaging more systematic and repeatable.

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Questions & Answers

Q: What is the difference between an ad concept and an ad angle?

An ad concept is the broad internal idea a marketer wants to test, such as a comparison, before-and-after ad, problem-aware message, or numbered-reasons format. An ad angle is how the product is actually sold or communicated to the customer. It identifies the specific problem, benefit, transformation, comparison, or reason that makes the offer relevant to the person receiving the advertisement.

Q: How do you choose an effective advertising angle?

Choose an advertising angle by starting with what matters to the customer rather than with the format you want to produce. Determine which problem, desired transformation, product comparison, or purchase reason deserves emphasis. If a proposed concept does not support a meaningful customer-focused message, abandon that concept. The angle should explain what is in the offer for the customer and why that person should care.

Q: Why do popular ad formats fail for some brands?

Popular formats fail when the content inside them does not address anything the intended customer values. A comparison, before-and-after ad, problem-aware concept, or numbered list is only a structure. Its performance depends on what is compared, which transformation is shown, which problem is discussed, and what reasons are presented. Copying a successful format cannot compensate for irrelevant or unpersuasive messaging.

Q: How much time should marketers spend on angles versus formats?

Marketers should spend roughly 80% of their creative effort understanding the person receiving the advertisement and deciding what meaningful message to communicate. The remaining 20% can go toward the format, concept, and presentation used to deliver that message. This allocation keeps customer relevance at the center of the process while treating execution as a supporting choice rather than the primary source of performance.

Q: Can an unattractive ad still generate purchases?

An unattractive advertisement can still generate purchases when it communicates a relevant and persuasive angle. The speaker points to simple phone-recorded ads and Barry Hott’s “make ugly ads” approach as examples of messaging taking priority over visual polish. Creative presentation can be improved later, but an attractive execution will not rescue an advertisement that fails to say anything the intended customer cares about.

Q: How should marketers evaluate whether an ad is good?

Marketers should evaluate an advertisement by examining the customer response and performance signals described in the transcript, particularly whether the ad received spend and generated purchases. Personal opinions from marketers are secondary because they are not the customers making the buying decision. An ad that looks impressive internally can still fail, while a visually rough ad can succeed if customers find its message relevant.

Q: Where can marketers research stronger ad angles?

Marketers can research stronger angles using Reddit, YouTube, Google, ChatGPT, Claude, and other sources that help them learn more about their customers. The purpose is to identify what customers care about, which problems or transformations matter, and how those ideas should be communicated. Research supplies the substance of the advertisement instead of leaving the team to test formats with weak or arbitrary messages.

Q: How can ad angle research create a repeatable scaling system?

Ad angle research becomes repeatable when marketers understand why a message works and how it connects with the customer. That understanding allows them to reproduce the reasoning behind successful advertisements instead of copying surface-level formats. The speaker links this systematic knowledge to making many winning ads and scaling brands quickly, because the team can repeatedly develop relevant messages rather than relying on random creative tests.

Summary & Key Takeaways

  • A concept is the broad creative idea a marketer wants to test, such as a comparison, before-and-after presentation, problem-aware ad, or numbered-reasons format. An angle is the customer-focused substance inside that concept: what is being compared, which transformation matters, what problem is addressed, and why the product deserves attention.

  • Customers do not purchase because an advertisement uses a particular format. They respond to the reasons, benefits, problems, comparisons, and transformations communicated within that format. A simple or unattractive execution can therefore outperform polished creative when its message is relevant, while a popular concept can fail when it says nothing customers value.

  • Effective ad development should devote about 80% of its attention to the customer and the message, with about 20% reserved for presentation. Research through Reddit, YouTube, Google, ChatGPT, Claude, and direct performance data can reveal customer concerns and useful language, creating a repeatable system for producing and scaling winning advertisements.


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