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Get Outside and Have a (Mystery) Play: Crash Course Theater #10

226.8K views
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April 20, 2018
by
CrashCourse
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Get Outside and Have a (Mystery) Play: Crash Course Theater #10

TL;DR

Medieval theater transitioned from religious to secular with mystery plays.

Transcript

Hey there, I’m Mike Rugnetta, this is Crash Course Theater, and today we’re going to circle up our pageant wagons and talk about the theater of the late Middle Ages: mainly mystery plays and morality plays. Judged by contemporary standards, these plays are… awkward. They’re episodic, kind of basic, and pretty chaotic in their mix of comedy, drama, ... Read More

Key Insights

  • Mystery and morality plays were pivotal in blending religious and secular life in medieval Europe, involving entire towns in their production and performance.
  • The Second Shepherd’s Play, part of the Wakefield Cycle, is a key example of medieval drama blending biblical stories with local vernacular and humor.
  • Cycle plays depicted the entire Christian narrative from creation to resurrection, often produced by trade guilds, reflecting their skills and community pride.
  • Medieval churches were initially the stage for liturgical dramas, but the grandeur of the church architecture soon proved too limited for the expanding theatrical ambitions.
  • Pope Innocent III's 1210 edict moved drama from clerical to secular hands, leading to the development of outdoor performances.
  • Cycle plays were eventually banned during the English Reformation due to their Catholic associations, marking a shift in religious and theatrical dynamics.
  • Morality plays like 'Everyman' emphasized moral lessons, influencing later Renaissance theater with their focus on personal virtues and the inevitability of death.
  • The transition from religious to secular drama was marked by the emergence of plays based on folklore, such as 'The Play of Robin and Marion,' broadening theatrical themes.

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Questions & Answers

Q: What role did guilds play in medieval theater?

Guilds were instrumental in the production of cycle plays during medieval times. They were responsible for staging biblical stories, often aligning the narrative with their trade, such as shipwrights depicting Noah's Ark. Guilds provided costumes, actors, and set designs, showcasing their craftsmanship and community pride through these performances.

Q: How did the Second Shepherd’s Play blend different elements?

The Second Shepherd’s Play is a notable example of medieval drama that combines biblical stories with local English vernacular and humor. It features a mix of comic and dramatic elements, intertwining religious themes with everyday life, such as the humorous depiction of a sheep-stealing incident alongside the biblical narrative of the shepherds visiting baby Jesus.

Q: What led to the shift from religious to secular drama in medieval Europe?

The shift from religious to secular drama was catalyzed by Pope Innocent III's 1210 edict, which prohibited clergy from performing plays in public. This led to drama moving outdoors and being taken over by secular groups. Over time, plays became more secular, incorporating elements of local folklore and everyday life, marking a significant transition in European theater.

Q: What impact did the English Reformation have on medieval theater?

The English Reformation had a profound impact on medieval theater, leading to the banning of cycle plays due to their Catholic associations. This period of religious reform viewed such plays as too Catholic, resulting in their prohibition. Despite this, the influence of these plays persisted, shaping the development of theater in subsequent eras.

Q: What is the significance of morality plays in medieval theater?

Morality plays, such as 'Everyman,' played a crucial role in medieval theater by emphasizing moral lessons and the importance of personal virtues. These plays often depicted allegorical narratives that reminded audiences of the inevitability of death and the value of good deeds, influencing the thematic focus of later Renaissance theater.

Q: How did medieval theater reflect community involvement?

Medieval theater was a community endeavor, with entire towns participating in the production and performance of plays. Guilds, representing various trades, were responsible for staging biblical stories, reflecting local craftsmanship and civic pride. These performances were major social events, drawing large audiences and fostering a sense of community identity.

Q: What were the characteristics of cycle plays?

Cycle plays were ambitious medieval dramas that depicted the entire Christian narrative, from creation to resurrection. They were typically performed over several days, with each guild responsible for a specific biblical story. These plays combined stylized action with contemporary realism, often incorporating humor and local cultural elements into the biblical narratives.

Q: How did medieval theater transition to include secular themes?

The transition to secular themes in medieval theater was marked by the emergence of plays based on folklore and everyday life. As religious control over drama waned, new genres such as secular plays and morality plays emerged, incorporating elements from local culture and traditions, broadening the thematic scope and appeal of theater during this period.

Summary & Key Takeaways

  • Medieval theater evolved from liturgical dramas performed within churches to secular plays held outdoors, driven by religious edicts and growing public interest. Mystery and morality plays were central to this transition, merging biblical narratives with local culture and humor.

  • Cycle plays, produced by trade guilds, depicted biblical history, showcasing community pride and craftsmanship. This theatrical genre was eventually banned due to religious reformations, but its influence persisted in later theatrical developments.

  • Morality plays like 'Everyman' underscored moral teachings and personal virtue, impacting Renaissance theater. The move from religious to secular drama also saw the rise of folklore-based plays, expanding the thematic scope of medieval European theater.


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