The Changing Landscape of Search Engines and the Rise of Curation

Kazuki Nakayashiki

Hatched by Kazuki Nakayashiki

Sep 12, 2023

3 min read

0

The Changing Landscape of Search Engines and the Rise of Curation

In the digital age, search engines have become an integral part of our lives. We rely on them to find information, discover new products, and connect with the world around us. However, it is becoming increasingly evident that the current model of search engines, particularly Google, is flawed. The dominance of advertising as a revenue source has led to misaligned incentives, resulting in a decline in the quality of search results.

Sergey Brin and Lawrence Page, the founders of Google, recognized this issue back in 1998. They acknowledged that the advertising business model of search engines creates a bias towards advertisers, often at the expense of providing quality search results to users. This bias is further exacerbated by the presence of individuals whose sole purpose is to manipulate search rankings and game their way to the top. As a result, the integrity and reliability of search results have been compromised.

This decline in the quality of search results has given rise to a new approach - curation. The role of a curator is to sift through the vast amount of information and culture available to us and present it in a way that is meaningful and relevant. The word "curator" comes from the Latin word "curare," which means to care. Initially, curators were caretakers of objects in museums, but their role has since expanded to encompass a broader cultural and social responsibility.

Curation, in its modern form, seeks to democratize art and culture by bringing it to different sections of society. It is about building exhibitions that are integrated into society and have a social impact. The concept of "civic curation" has emerged, where curation is linked to generosity and plays a vital role in shaping the cultural landscape. Brands have recognized the power of curation in differentiating themselves, gaining relevance, and building long-term equity.

One of the key advantages of curation is its ability to create a unique aesthetic world and narrative. This is something that is difficult to replicate, unlike a brand's visual identity or tone of voice. By curating existing content and connecting it with new ideas, brands can give renewed meaning and purpose to old things. Curation contextualizes products within a specific time and point of view, turning them into collectibles that hold value.

Moreover, curators have the power to bridge the gap between different taste communities and introduce them to one another. They can connect people, products, and ideas in a way that is simultaneously new and familiar. This ability to create something that resonates with consumers on a deeper level is invaluable in a world that is constantly demanding novelty.

So, what actionable advice can we take from this shift towards curation? First and foremost, brands should invest in research, writing, and editing to curate content effectively. Simply reposting images is not enough; there needs to be a thoughtful and deliberate approach to curation. Second, brands should not be afraid to curate the old. In a world obsessed with newness, there is value in finding new angles on existing things and connecting them with contemporary ideas. Finally, brands should embrace curation as a means of building connections and fostering a sense of community. By bringing different taste communities together, brands can create something truly unique and engaging.

In conclusion, the traditional model of search engines, driven by advertising, is showing signs of deterioration. The rise of curation as a preferential strategy for brands highlights the need for a more thoughtful and deliberate approach to content discovery. By investing in research, curating existing content, and building connections between different taste communities, brands can differentiate themselves, gain relevance, and ensure longevity in a rapidly evolving digital landscape.

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