How SoundCloud's Broken Business Model Drove Artists Away: The Third Place

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Jul 21, 2023

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How SoundCloud's Broken Business Model Drove Artists Away: The Third Place

SoundCloud, once hailed as a revolutionary platform for artists to share their music freely and connect with fans, has fallen from grace in recent years. The platform's broken business model, riddled with abuse and a lack of support for creators, has driven many artists away. Let's delve into the factors that led to SoundCloud's downfall and explore the concept of "The Third Place" as a potential solution.

From the start, artists abused SoundCloud's features, particularly by constantly reposting their own tracks to push them back to the top of their followers' feeds. This misuse of the system led to a flood of mediocre music inundating users' SoundCloud feeds, pushing aside quality content. SoundCloud attempted to tackle this issue by experimenting with various business models, including content-related ads and charging creators for premium accounts. However, these attempts fell short of addressing the core problem.

A significant challenge SoundCloud faced was the rampant presence of derivative copyrighted material on its servers. DJ sets, mashups, and unofficial remixes using songs without proper rights flooded the platform. This not only infringed on copyright laws but also devalued original content and discouraged artists from engaging with the platform.

Compounding the issue was SoundCloud's confusing system of paid tiers, which caused contention among creators and their teams. Unwarranted takedowns of songs, label interference, and a lack of attention to creators' needs created a sense of neglect. Artists who had been instrumental in SoundCloud's early success now felt unheard and unappreciated.

The introduction of reposts further exacerbated the problem. Bad actors flooded the platform with undisclosed advertising, artificially boosting stream numbers and diminishing the quality of the user experience. Services even emerged that allowed artists to purchase fake listens, likes, and followers for a minimal cost. SoundCloud became a breeding ground for inauthentic engagement and lacked the necessary measures to combat this issue effectively.

In contrast, Spotify, a music streaming giant, embraced a different approach. In 2012, Spotify introduced an embeddable player that users could add to blogs and social media profiles. This player allowed seamless music playback without redirecting users away from the page. Additionally, Spotify offered fully licensed tracks to record labels in exchange for guaranteed royalties. This move not only appeased labels but also encouraged a healthier ecosystem for artists.

The economics of SoundCloud began favoring the biggest stars, leaving smaller, up-and-coming artists in the shadows. The platform's focus on major labels further stifled the remix culture that had initially thrived on SoundCloud. Artists began viewing the platform as a stepping stone rather than a final destination. The lack of monetization tools for indie artists, despite SoundCloud's promises, further alienated the very creators who had built its reputation.

SoundCloud's relationship with its creators became increasingly one-sided. While accepting monthly payments for accounts and placing ads on their content, the platform retained a heavy hand in content policing and issuing strikes. This approach eroded the sense of community that SoundCloud had once fostered, leaving creators feeling unsupported and undervalued.

To address these issues, a concept called "The Third Place" could offer a potential solution. The Third Place refers to a space outside of home and work where individuals can gather, socialize, and find a sense of belonging. Applying this concept to SoundCloud, the platform could strive to create a tight-knit community that values and supports its artists. By fostering genuine connections and providing meaningful opportunities for collaboration and monetization, SoundCloud could regain its status as a vibrant hub for music creators.

In conclusion, SoundCloud's broken business model, characterized by abuse, a lack of support, and a focus on major labels, has driven artists away from the platform. To combat these issues, SoundCloud must embrace a community-centric approach, valuing and empowering its creators. Three actionable advice for SoundCloud to consider are:

  1. Create a transparent and fair monetization program that allows indie artists to participate and earn royalties from their music.
  2. Implement stricter measures to combat abuse and inauthentic engagement, ensuring that the platform remains a space for quality content and genuine connections.
  3. Foster a sense of community by facilitating collaboration, providing resources for artists to grow their careers, and actively listening to and addressing creators' needs.

By prioritizing these actions, SoundCloud can rebuild its reputation and regain the trust and support of the vibrant artist community it was built upon. The Third Place concept offers a framework for SoundCloud to reimagine itself as a thriving ecosystem that nurtures creativity, fosters connections, and values its creators.

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