Breaking Down the 1917 One-Shot — Roger Deakins Talks Camera, Lenses, Long Takes, and Cinematography

Transcript

♪ ♪ What separates a film that has us on the edge of our seat... "- George..." from a film that has us dozing off? Convincing performances. "- I've abandoned my boy." Beautiful set design. And gripping action sequences But these elements heavily rely on one thing how we see them depicted on the screen? And no cinematographer understands this better... Read More