#1: How To Play Blues Piano

TL;DR
Learn a new left hand technique for blues improvisation using a simple variation on the jaw that can help improve your playing.
Transcript
thank you [Applause] [Applause] hi guys Dr K here and I wanted to share with you a left hand that I've found is very very useful for blues improvisations we've done a lot of Boogie Woogie some rock and roll but let's forget that the blues is really where it all starts and this is a kind of left hand which I haven't seen too many sharing it's a simp... Read More
Key Insights
- 🫲 The left hand is fundamental in boogie and blues, serving as the rock upon which technique is built.
- 🫲 A new left hand technique, a variation on the jaw, is introduced by Dr. K for blues improvisation.
- 🫱 Trilling in the right hand can help beginners start their blues improvisation journey.
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Questions & Answers
Q: What is the left hand technique for blues improvisation shared by Dr. K?
The left hand technique shared by Dr. K involves a variation on the jaw, which is a simple pattern played in the key of G.
Q: How can trilling help beginners with blues improvisation?
Trilling in the right hand can be a starting point for beginners who are unsure about which notes to play. It allows for practice in hand coordination and can be combined with the left hand technique for blues improvisation.
Q: What is the significance of the left hand in boogie and blues?
The left hand serves as the foundation in boogie and blues. It provides the rhythm and harmony of the music, and neglecting its development can hinder overall technique and playing ability.
Q: How does incorporating the left hand technique improve hand coordination and speed?
By practicing the left hand technique along with trilling in the right hand, players can improve the coordination between both hands. This exercise also helps build speed and control, addressing a common challenge for pianists at various skill levels.
Summary & Key Takeaways
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Dr. K shares a left hand technique that is useful for blues improvisation, emphasizing the importance of the left hand in boogie and blues.
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The technique involves a variation on the jaw, which is demonstrated in the key of G.
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He suggests starting with trilling in the right hand and incorporating the left hand technique to improve hand coordination and speed.
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