Nhà biên kịch nổi tiếng từ phim hài đến kinh dị - Trần Khánh Hoàng | #HaveASip 7

TL;DR

Trần Khánh Hoàng discusses his screenwriting journey, from comedy to horror.

Transcript

I would like to welcome Vietcetera listeners. To "Have A Sip" podcast. In Vietnamese is "Uống gì không?" "Have A Sip" is a conversation that I choose people who write in different fields. Sometime we have rapper, who write rap. Today, we finally meet someone who literally write. They write movie scripts. Please welcome screenwriter Trần Khánh Hoàng... Read More

Key Insights

• Trần Khánh Hoàng is a renowned Vietnamese screenwriter known for his work in both comedy and horror genres, achieving significant success with 'Em Chưa 18'.
• Hoàng prefers to make cold brew coffee at home, finding the process enjoyable and economical, despite its slow preparation time.
• The screenwriter's workshops focus on the theory of comedy, distinguishing between random funniness and structured comedy, which can be challenging for participants.
• Hoàng emphasizes the importance of storytelling tools in comedy, highlighting the 'fish out of water' and 'group of crazy people' storylines as central elements in comedic scripts.
• In horror movies, Hoàng describes three layers of fear: anxiety, fear, and 'hella scare', with the latter stemming from helplessness in the face of danger to loved ones.
• Hoàng's workshops serve a dual purpose: reinforcing his knowledge and helping him financially break even from his investments in learning resources.
• He notes the lack of formal training for screenwriters in Vietnam, with few institutions offering dedicated programs, and highlights the importance of self-study and continuous learning.
• Despite his success, Hoàng remains humble, viewing himself as a lifelong learner and emphasizing the need for self-study in sustaining a long-term career in screenwriting.

Questions & Answers

Q: What is Trần Khánh Hoàng's approach to making cold brew coffee?

Trần Khánh Hoàng makes cold brew coffee at home because he finds it enjoyable and economical. He grinds the coffee beans every night, letting them brew for 12 hours to enjoy a liter of coffee the next morning. This process allows him to have a steady supply of coffee without relying on expensive coffee shop purchases.

Q: How does Trần Khánh Hoàng distinguish between funny and comedy in his workshops?

In his workshops, Trần Khánh Hoàng differentiates between 'funny' and 'comedy'. He explains that 'funny' moments are random and subjective, whereas 'comedy' is structured and can be analyzed. His workshops challenge participants with the theory of comedy, highlighting the importance of understanding and applying storytelling tools to create structured comedic scripts.

Q: What are the key storylines used in comedic scripts according to Trần Khánh Hoàng?

Trần Khánh Hoàng identifies two key storylines commonly used in comedic scripts: 'fish out of water' and 'group of crazy people'. The 'fish out of water' storyline involves a character caught in a dilemma, while the 'group of crazy people' storyline features unique characters in special situations. These structures are central to creating engaging and humorous narratives.

Q: What are the three layers of fear in horror movies as described by Trần Khánh Hoàng?

In horror movies, Trần Khánh Hoàng describes three layers of fear: anxiety, fear, and 'hella scare'. Anxiety arises when something feels wrong, fear becomes clearer as characters are attacked, and 'hella scare' occurs when viewers feel helpless watching loved ones in danger. These layers build tension and enhance the horror experience.

Q: Why does Trần Khánh Hoàng conduct screenwriting workshops?

Trần Khánh Hoàng conducts screenwriting workshops to reinforce his own knowledge and financially break even from his investments in learning resources. By teaching, he reviews and masters storytelling tools, sharing his expertise with aspiring screenwriters while also benefiting personally from the process.

Q: What challenges does the screenwriting industry face in Vietnam according to Trần Khánh Hoàng?

According to Trần Khánh Hoàng, the screenwriting industry in Vietnam faces challenges due to the lack of formal training programs. Few institutions offer dedicated screenwriting courses, and there's a shortage of teachers with industry experience. This gap highlights the importance of self-study and continuous learning for aspiring screenwriters.

Q: How does Trần Khánh Hoàng view his career in screenwriting?

Despite his success, Trần Khánh Hoàng views himself as a lifelong learner in the screenwriting industry. He emphasizes the importance of self-study and continuous learning to sustain a long-term career. Hoàng remains humble about his achievements, prioritizing personal growth and the mastery of storytelling tools over resting on past successes.

Q: What is Trần Khánh Hoàng's perspective on creating feel-good movies?

Trần Khánh Hoàng believes in creating feel-good movies that resonate with audiences. He emphasizes the importance of writing scripts that evoke positive emotions and deliver a sense of joy. By focusing on crafting narratives that make people feel good, Hoàng aims to connect with audiences and create memorable cinematic experiences.

Summary & Key Takeaways

• Trần Khánh Hoàng, a celebrated Vietnamese screenwriter, shares insights into his journey from writing romantic comedies to horror films. Known for 'Em Chưa 18', he discusses his creative process, the importance of storytelling tools, and the challenges of teaching screenwriting in Vietnam.

• Hoàng enjoys making cold brew coffee at home, a process he finds both economical and enjoyable. He also conducts workshops on screenwriting, emphasizing the distinction between random funniness and structured comedy, and the importance of storytelling tools in creating engaging scripts.

• Despite the lack of formal screenwriting education in Vietnam, Hoàng advocates for self-study and continuous learning. He remains humble about his achievements, viewing himself as a lifelong learner, and highlights the need for self-study to sustain a long-term career in screenwriting.