Make Chords Like Yussef Dayes - Berlioz - Kaytranada

TL;DR

Discover the beauty and complexity of using just two chords, B-flat Minor 11 and A Major 7 Sharp 11, to create a unique and cinematic sound.

Transcript

foreign when you use a typical chord progression it is like the plot of a movie beginning middle and end when you use just two chords you can create the feeling of a cinematic shot of the main character [Laughter] progression uses chromatic motion which is when notes move by semitones especially when they are moving to a note outside of the initial... Read More

Key Insights

• 🎶 Foreign: The use of two chords in a progression can create a cinematic feel, while chromatic motion adds depth and interest to the progression.
• 🎹 The B flat minor 11 chord is based on a minor scale with only six notes, while the A major 7 sharp 11 chord utilizes the Lydian mode of the E major scale.
• 🎵 The lowest note played by the bass defines the root of the chord, influencing the way we perceive the progression. Changing the bass note can alter the perceived chord and create a different sound.
• 🌈 Identifying common tones between unrelated chords is crucial in linking them together and creating a cohesive progression.
• 🔊 Making semitone adjustments to align with the chord tones can help avoid dissonance and create a delicate and intricate texture.
• 🎹 The melody can navigate the vertical blocks of chords by using common tones and adding tension or resolution with passing tones.
• 📚 Learning to use and create interesting harmonies while maintaining the ambient electronic style requires finding a balance between chromatic shifts and spaciousness.
• 🔗 For one-on-one music lessons or to listen to the full song, contact [email protected] or find the links in the description.

Questions & Answers

Q: How do the specific scales used in the B-flat Minor 11 and A Major 7 Sharp 11 chords contribute to their unique sound?

The B-flat Minor 11 chord uses a minor scale with only six notes, while the A Major 7 Sharp 11 chord utilizes the Lydian mode of the E major scale, resulting in distinct and atmospheric tones.

Q: Why is the bass note important in determining the root of the chord?

The bass note of a chord determines the root and greatly influences how the chord is perceived by the listener. It has the power to shape the overall sound and feel of the chord progression.

Q: How does changing the bass note affect the perception of the chords in the progression?

Changing the bass note shifts the perception of the chords in the progression, creating a different tonal center. This alteration can add variety and interest to the chord progression.

Q: How do common tones help glue together unrelated chords in the progression?

Common tones act as a bridge that connects unrelated chords. In the B-flat Minor 11 and F-sharp Minor 13 chords, the common tones include D-flat/E-flat/A-flat, which add cohesion and fluidity to the overall sound.

Q: Why is it important to adjust the melody and harmonies to align with the changing chords?

Making semitone adjustments in the melody and harmonies ensures that the notes agree with the chords at any given moment. This avoids dissonance and creates a delicate and intricate texture in the music.

Answer: The power of the bass lies in its ability to shape our perception of chords, as the bass note becomes the root of the chord we hear. This is evident in the exploration of the B-flat Minor 11 and A Major 7 Sharp 11 chords, where altering the bass note alters the chord's perceived root and tonal center. Understanding the impact of the bass note is crucial for musicians and producers in creating harmonically interesting and coherent music.

Summary & Key Takeaways

• The chord progression consists of B-flat Minor 11 and A Major 7 Sharp 11, creating a cinematic and atmospheric feel.

• The B-flat Minor 11 chord is based on a minor scale that only uses six notes, while the A Major 7 Sharp 11 chord uses the Lydian mode of the E major scale.

• The bass note determines the root of the chord and plays a crucial role in how the chord is perceived by the listener.