All Eyes on Me - (Netflix vs Soundtrack) - Musician's Reaction - Julie and The Phantoms

TL;DR
Julian the Phantom reacts to "Finally Free" and shares his thoughts on the song's production and harmonies.
Transcript
what's up team tutor welcome back to another julian the phantom's reaction we are getting one song away from finally free and perfect harmony so i'm pumped let me know in the comments below if you're pumped also today we're doing finally free no my bad i apologize today we're doing all eyes on me probably tomorrow or soon very soon after maybe late... Read More
Key Insights
- 🥶 The production of "Finally Free" showcases stereo fullness and spatial recognition.
- ❓ The song's synthesizers and background echo create a warm and atmospheric feel.
- 🥶 The vocal harmonies in "Finally Free" remind Julian of Justin Timberlake's style.
- 😒 Julian appreciates the attention to detail in the production, such as the use of vinyl slowdown effects.
- 💩 The rap section in the song is not to Julian's personal liking.
- 🥶 The soundtrack version of "Finally Free" is preferred by Julian for its longer duration.
- 👂 Julian plans to finish listening to all the songs before watching the show "Julian the Phantom".
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Questions & Answers
Q: What are Julian's thoughts on the production of "Finally Free"?
Julian appreciates the stereo fullness and spatial recognition in the song's production, particularly with the synthesizers and background echo.
Q: Which artist's melody does the song's ooze and vocal harmonies remind Julian of?
Julian mentions that the ooze and vocal melody in "Finally Free" remind him of Justin Timberlake.
Q: Does Julian enjoy the 808 bass in the song?
Yes, Julian likes the 808 bass in "Finally Free" and wishes there was a walkdown in a specific section.
Q: What is Julian's opinion on the rap part in "Finally Free"?
Julian personally feels that the rap part doesn't fit well in the song and prefers the pop elements.
Summary & Key Takeaways
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Julian the Phantom reacts to "Finally Free" by Julian the Phantom and expresses his excitement about the song.
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He praises the stereo fullness and spatial recognition in the song's production.
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Julian comments on the vocal harmonies and compares the song to the styles of other artists.
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