The Significance of Deixis in ELE and the Elegies of Duino

Laura García de Lucas

Hatched by Laura García de Lucas

Aug 12, 2023

5 min read

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The Significance of Deixis in ELE and the Elegies of Duino

Deixis, as defined in the CVC dictionary of key terms in ELE, refers to all linguistic expressions of the self, location, and time. In the theory of enunciation, the self-location-time trio serves as the deictic center or the zero point for contextual coordinates in the realization and interpretation of every act of communication. This concept of deixis is essential in understanding the role of language in communication and the construction of meaning.

On a different note, the Elegies of Duino, a collection of ten poems by Rainer Maria Rilke, holds significant literary and philosophical value. Published in 1923, these poems are written in German and were inspired by Rilke's stay at the Duino Castle near Trieste, Italy. The castle belonged to the princess Marie von Thurn und Taxis-Hohenlohe, who was a close friend and patron of Rilke. It was during his time at Duino, between October 1911 and May 1912, that Rilke began composing the first two elegies. The rest of the elegies were written during his travels between Duino, Munich, Paris, and Muzot. Rilke eventually settled in Switzerland, where he completed the Elegies of Duino, totaling 853 verses, in a matter of weeks.

Throughout the Elegies of Duino, Rilke explores the theme of the limitations and insufficiency of human existence, delving into the fractures in human consciousness. The poems touch upon the solitude of humanity, the perfection of angels, life and death, love and lovers, and the role of the poet. The central motif of these elegies is humanity itself.

In the fifth elegy, Rilke draws inspiration from Pablo Picasso's painting, "Les Saltimbanques" (The Acrobats) from the Rose Period, where six figures are depicted "in the midst of a desert landscape, and it is impossible to tell if they are arriving or leaving, beginning or ending their performance." Rilke uses these figures as symbols of human activity, always traveling and without a fixed address, even more fleeting than the rest of us. He also suggests "the loneliness and definitive isolation of man in this incomprehensible world, practicing his profession from childhood to death as toys of an unknown will." Renato Sandoval, in his analysis, highlights the shift in Rilke's artistic style, moving away from a sentimental and romantic approach towards a more transcendent and profound exploration of the human condition.

In the earlier stages of Rilke's career, his works exhibited a melodic and sentimental vein, influenced by the fin de siècle romanticism. The hymn-like "Book of Hours" (1905) is representative of this period. His "New Poems" (1907-1908, two volumes) bear the mark of his friendship with the French sculptor Auguste Rodin, from whom he sought to learn how to conquer his own subjectivity and create continuously through work, without relying on inspiration. However, with the Elegies of Duino, Rilke considers the beginning of his "work of the heart" (Herzwerk) and surpasses the phase of the "work of the face" (Werk des Gesichts), which was closely related to the figurative arts. Through the Elegies and the Sonnets to Orpheus, the poet succeeds in capturing his unique worldview with the utmost intensity. After expressing the tragic sentiment caused by the brevity of existence, Rilke arrives at an almost mystical perception of the unity of life and death. He proclaims this monistic Weltanschauung through the use of daring and expressive mythopoetic metaphors.

The connection between deixis and the Elegies of Duino lies in their exploration of human existence and the search for meaning. Both delve into the limitations of human consciousness and the complexities of communication. While deixis focuses on the linguistic aspects of self, location, and time, the elegies delve into the profound philosophical questions of human solitude, mortality, and the role of the poet as a communicator of the human experience.

Now, let's explore three actionable pieces of advice that can be derived from the concepts discussed:

  1. Embrace the power of deixis: Understanding the role of deixis in language and communication can greatly enhance one's ability to convey meaning effectively. By utilizing deictic expressions such as "I," "here," and "now," communicators can create a stronger connection with their audience and provide a clearer context for their message.

  2. Reflect on the limitations of human existence: The elegies of Duino remind us of the inherent limitations we face as human beings. Reflecting on these limitations can help us develop a deeper sense of empathy and understanding towards others. It can also inspire us to make the most of our fleeting existence and pursue a life of purpose and fulfillment.

  3. Explore transcendent themes in art and literature: Like Rilke's Elegies of Duino, many great works of art and literature explore transcendent themes that resonate with the human experience. By engaging with these works, we can expand our perspectives, deepen our understanding of ourselves and the world around us, and find inspiration for our own creative endeavors.

In conclusion, deixis and the Elegies of Duino offer unique insights into the complexity of human existence and the role of language and art in expressing our deepest thoughts and emotions. By understanding the power of deixis and exploring profound works of literature and art, we can enhance our communication skills and gain a deeper understanding of the human experience. So, let us embrace deixis, reflect on our limitations, and explore transcendent themes to enrich our lives and connect with others on a deeper level.

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