Steven Pressfield: The War of Art | Lex Fridman Podcast #102 | Summary and Q&A

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June 20, 2020
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Lex Fridman Podcast
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Steven Pressfield: The War of Art | Lex Fridman Podcast #102

TL;DR

Steven Pressfield discusses the concept of resistance, the struggle between ego and self, and the importance of perseverance in the creative process.

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Key Insights

  • 💦 Resistance is an internal force that prevents individuals from pursuing their creative work.
  • 🤪 The struggle between ego and self is a constant battle in the creative process.
  • ▶️ War has played a significant role in shaping civilizations throughout history, but it remains rooted in our tribal nature and the primal urge to conquer.
  • 🫡 The resolve of the Israeli-Palestinian conflict requires mutual respect, understanding, and constructive engagement.
  • 😨 Overcoming resistance requires embracing the self and letting go of fear and limitations.
  • ❓ The future of warfare is uncertain, with a shift towards empathy and a decreased appetite for conflict.
  • 🤳 The creative process requires perseverance, training, and a balance between self-belief and self-critique.

Transcript

the following is a conversation with Steven Pressfield author of several powerful nonfiction and historical fiction books including the war of art a book that had a big impact on my life and the life of millions of people whose passion is to create an art science business sport and everywhere else I highly recommend it and others of his books on th... Read More

Questions & Answers

Q: What role does war play in human nature?

War has been a part of human history for centuries, rooted in our tribal nature and the urge to conquer and protect our own. However, the hope lies in finding ways to sublimate this need for conquest through activities like sports or other sublimated forms of competition.

Q: What is the nature of the Israeli-Palestinian conflict?

The conflict between Israel and Palestine is rooted in religious, ethnic, and cultural differences. Both sides have deep-seated historical claims to the land and struggle over religious sites. Mutual fear, respect, and understanding are essential for any possible resolution.

Q: How does resistance impact the creative process?

Resistance is a force that prevents individuals from starting or continuing their creative work. It stems from fear and the ego's desire for self-preservation. Overcoming resistance requires embracing the self and letting go of the ego's fear and limitations.

Q: What is the future of warfare and its impact on society?

The future of warfare is uncertain, as technology continues to evolve. However, there seems to be a decreasing appetite for war and a growing focus on empathy and understanding across cultures. While wars may still occur, the motivations and drive to engage in conflicts are changing.

Q: What role does war play in human nature?

War has been a part of human history for centuries, rooted in our tribal nature and the urge to conquer and protect our own. However, the hope lies in finding ways to sublimate this need for conquest through activities like sports or other sublimated forms of competition.

More Insights

  • Resistance is an internal force that prevents individuals from pursuing their creative work.

  • The struggle between ego and self is a constant battle in the creative process.

  • War has played a significant role in shaping civilizations throughout history, but it remains rooted in our tribal nature and the primal urge to conquer.

  • The resolve of the Israeli-Palestinian conflict requires mutual respect, understanding, and constructive engagement.

  • Overcoming resistance requires embracing the self and letting go of fear and limitations.

  • The future of warfare is uncertain, with a shift towards empathy and a decreased appetite for conflict.

  • The creative process requires perseverance, training, and a balance between self-belief and self-critique.

  • Embracing mortality can give life meaning and purpose in the face of resistance.

Summary

In this video conversation, Lex Fridman interviews Steven Pressfield, author of several nonfiction and historical fiction books including "The War of Art" and "Lionsgate." They discuss the nature of war, the Israeli-Palestinian conflict, the creative process, and mortality. Pressfield shares his thoughts on the metaphor of war and its implications for our internal struggles, the role of religion and tribal identity in conflict, and the transformative power of war throughout history. He also talks about the importance of mutual respect and fear in resolving conflicts, the future of warfare, and the process of accessing creativity through the muse.

Questions & Answers

Q: If you could imagine a world without war, how would that world be different?

Pressfield believes that humans are inherently tribal creatures, with an "us-versus-them" mentality, which hasn't changed over time. He suggests that sublimated activities like sports or other forms of competition can provide an outlet for the urge to conquer, but in a more controlled and empathetic manner.

Q: Is war a part of human nature or a creative force that serves society?

Pressfield believes that the urge to conquest and the desire for power have been universal human imperatives throughout history. While war may have benefited societies by spreading cultures or creating empires, he sees it as a product of human nature rather than a creative force in society.

Q: Which war do you think has been most transformative for the world?

Pressfield mentions that he is not an expert on war, but suggests that the Mongol conquests and the Roman Empire have been transformative in history. However, he states that the concept of "transformative" can vary depending on the perspective and values of different societies.

Q: What is the nature of the Israeli-Palestinian conflict?

Pressfield explains that the Israeli-Palestinian conflict is rooted in deep-seated religious and cultural differences, as well as racial/ethnic tribal identities. From the Jewish perspective, it is a return from exile and the establishment of the State of Israel. However, he acknowledges that there are other perspectives involved and the conflict is complex.

Q: How does the world in which military conflict is directly felt, like in Israel, differ from societies where war feels distant?

Pressfield highlights the difference in mentality between societies where military conflict is directly experienced, like in Israel, and societies where war feels distant. He suggests that in Israel, there is often a more assertive and proactive approach to dealing with threats due to the constant awareness of the realities of war.

Q: How do we resolve conflicts like the Israeli-Palestinian conflict?

Pressfield believes that mutual respect and fear are essential for resolving conflicts. He suggests that when both sides have equal power and can see each other as equals, there is a possibility for dialogue and finding common ground. He also emphasizes the importance of addressing hatred and finding ways to alleviate it.

Q: What is the future of warfare, considering the expansion of military-industrial conflict and the use of AI?

Pressfield acknowledges that warfare is constantly evolving and that AI and automation are changing the landscape of warfare. However, he also notes the general reluctance of people today to engage in war and suggests that it may be harder to mobilize people for war in the modern era.

Q: What does it take for a creative process to flow and for ideas to come through?

Pressfield suggests that the creative process involves a partnership between conscious effort and opening oneself up to inspiration. He describes the process of sitting down to write as a form of prayer or entering into an altered state of consciousness where ideas can emerge. He also mentions the importance of perseverance and gaining a sense of comfort with uncertainty.

Q: How important is mortality and finiteness to the creative process?

Pressfield believes that mortality gives meaning to life and fuels the desire to create something that will outlast oneself. He also mentions his belief in previous lives and the idea that there is a destiny or calling in each individual, which influences their creative expression.

Q: How did you learn to recognize what is good enough in your writing?

Pressfield acknowledges that it can be difficult to know what is good in one's own writing. He mentions the role of editing and the perspective a skilled editor can provide. He also highlights the importance of genre conventions and staying true to them in order to create a cohesive and successful work.

Q: What is the process of letting go and clearing the channel of communication with the muse?

Pressfield describes the process of letting go as one of practice and perseverance. He relates it to meditation or drilling a technique, where repeated effort and experience gradually open up the channel of communication with the muse. He emphasizes the role of listening and being receptive to inspiration from a higher plane of consciousness.

Takeaways

Throughout the conversation, Steven Pressfield provides insights into the nature of war, the Israeli-Palestinian conflict, and the creative process. He explores the metaphor of war as an internal struggle and the role of religion and tribal identity in conflicts. Pressfield also emphasizes the importance of mutual respect and fear in resolving conflicts and highlights the need for skilled editing in the creative process. Additionally, he shares his beliefs about mortality, reincarnation, and the communication with a higher source of inspiration. Ultimately, he notes the difficulty of finding shortcuts or hacks in creativity and emphasizes the importance of perseverance and practice.

Summary & Key Takeaways

  • Steven Pressfield explains that resistance is an internal force that prevents individuals from starting or pursuing their creative work.

  • He believes that resistance stems from the ego, which fears change, death, and the unknown. The ego's main goal is self-preservation.

  • Pressfield argues that overcoming resistance requires embracing the self, which involves letting go of fear and understanding that death and time are not real.

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