Kazuki
@kazuki
Cofounder of Glasp. I collect ideas and stories worth sharing 📚
San Francisco, CA
Joined Oct 9, 2020
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fs.blog/illusion-of-transparency/
Jul 23, 2022
91
blog.scrintal.com/the-future-of-building-and-sharing-knowledge-enter-scrintal-fc6a308a90ff
Jul 22, 2022
51
kk.org/thetechnium/better-than-fre/
Jul 21, 2022
202
read.first1000.co/p/100-unicorns-12-different-gtm-motions
Jul 20, 2022
152
nesslabs.com/time-management
Jul 18, 2022
82
evchapman.medium.com/how-i-use-glasp-to-highlight-take-notes-on-the-internet-542c6afc2095
Jul 17, 2022
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lcwf-news.creativefibro.uk/the-explosion-of-2nd-brain-apps/
Jul 14, 2022
51
ytscribe.com/v/NGy1o4jLkJc/
Jul 14, 2022
73
www.axioshq.com/smart-brevity
Jul 14, 2022
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time.com/12933/what-you-think-you-know-about-the-web-is-wrong/
Jul 14, 2022
71
slate.com/technology/2013/06/how-people-read-online-why-you-wont-finish-this-article.html
Jul 14, 2022
51
ev.medium.com/new-decade-new-ideas-faee8e712589
Jul 14, 2022
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www.youtube.com/watch?v=zR1xDBFdRZ0
Jul 14, 2022
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www.notboring.co/p/introducing-not-boring-capital
Jul 14, 2022
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benjaminboman.com/email/ca9d9d3d-4649-4f65-82a9-ebc5150eb75e/
Jul 13, 2022
11
web.mit.edu/ecom/www/Project98/G4/Sections/section1b.html
Jul 13, 2022
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web.mit.edu/ecom/www/Project98/G4/Sections/section1a.html
Jul 13, 2022
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fortelabs.co/blog/the-4-levels-of-personal-knowledge-management/
Jul 12, 2022
153
velvetshark.com/articles/why-do-brands-change-their-logos-and-look-like-everyone-else
Jul 11, 2022
121
themindcollection.com/steelmanning-how-to-discover-the-truth-by-helping-your-opponent/
Jul 10, 2022
173
www.interaction-design.org/literature/article/dieter-rams-10-timeless-commandments-for-good-design
Jul 8, 2022
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maggieappleton.com/garden-history
Jul 7, 2022
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chartmogul.com/blog/startup-lessons-from-nike/
Jul 7, 2022
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chrisneumann.com/blog/is-your-revenue-real
Jul 7, 2022
15
tomcritchlow.com/2022/01/06/jan-22-map-inquiry/
Jul 6, 2022
31
glasp.co/articles/greatest-legacy-for-future-generations
Jul 5, 2022
1
www.yannickoswald.com/post/great-thinkers-the-power-of-a-brand
Jul 5, 2022
103
hardfork.substack.com/p/the-self-destructive-nature-of-humans
Jul 5, 2022
11
www.demandcurve.com/playbooks/above-the-fold
Jun 30, 2022
151
perell.com/essay/imitate-then-innovate/
Jun 28, 2022
318
medium.com/taking-notes/the-way-in-which-we-take-notes-gives-us-insight-into-who-we-are-bd0195e1a56d
Jun 24, 2022
73
help.flomo.app/mindset/the-definition-of-knowledge-and-its-management
Jun 23, 2022
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ytscribe.com/v/5XTSl6by_iw/
Jun 21, 2022
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www.slideshare.net/GoodreadsPresentations/bea-workshop-v3
Jun 21, 2022
2
www.usv.com/writing/2018/04/usv-thesis-3-0/
Jun 20, 2022
3
priceonomics.com/the-content-marketing-handbook-2/
Jun 20, 2022
8114
medium.com/venture-capital-growth-hacking/understanding-customer-acquisition-costs-74aec7538b4d
Jun 20, 2022
12
There is a trend in logo design that started around 2017-2018. It’s as if many companies decided that being unique was a handicap and that it was better to be like everyone else.
The trend started with fashion logos.
All the quirks, peculiarities, and idiosyncrasies of both tech and fashion logos were dropped and replaced with a simple sans serif font.
Fonts without those small features are called ‘sans serif’ (‘sans’ means ‘without’ in French).
While the simplicity of sans serif fonts makes them readable and versatile, it has its drawbacks. Without additional details and features, sans serif fonts have far fewer options for differentiation.
The purpose of a logo is to be instantly recognizable, different, memorable, and, if possible, to refer to the brand’s values. Blending into everyone else’s achieves none of these things.
Sans serif lettering and fonts, first created in 1816, were popular for their clarity and legibility at a distance in advertising and display use when printed very large or small.
a significant reason for serif faces in the older days of imprecise letterpress and less consistent paper surface sizing was to compensate for ink spread and aberrations. Serifs on the fonts helped in cases where corners would otherwise fail to fully imprint.
Cleaner and more legible, they are better suited to a variety of media and work particularly well online. The purity of these fonts allows the brands to be an empty vessel, ready to accommodate rapidly shifting trends.
logos may look similar, but what they offer is completely different and effective, and that’s what ultimately counts for the consumer.
One of the main reasons for the sans serif logo trend is readability. Especially on mobile, but everywhere else as well: from huge billboards to tiny footer links at the bottom of mobile websites.
Shoot for simplicity and legibility, but keep your distinguishing features. Don’t throw away what the brand has been working on for decades.