Or, more specifically, has the metaphorical power of great fiction.
I am talking here about something deadening and peculiar, the inability of all of us to speak to one another in any direct way,
reflect the special interests of the young and the disaffiliated: their particular virtue is to be devoid of conventional press postures, so many of which rest on a quite factitious “objectivity.” Do not misread me: I admire objectivity very much indeed, but I fail to see how it can be achieved if the reader does not understand the writer’s particu...
Didion has wrestled with the “I” character, which is to say with truth and perspective as it applied to, or appealed to, herself.
Her narrative nonfiction is a question about the truth.
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