As quickly as we read, it melts and shifts in the memory; even at the moment when the last page is turned, a great part of the book, its finer detail, is already vague and doubtful. A little later, after a few days or months, how much is really left of it? A cluster of impressions, some clear points emerging from a mist of uncertainty, this is all ...
of the hundreds and hundreds of books that a critic would wish to range in his memory, in order to scrutinize and compare them reflectively, how many can he expect to bring into a state of reasonable stability?
is revealed little by little, page by page, and it is withdrawn as fast as it is revealed; as
after living for a time with people like Clarissa Harlowe or Anna Karenina or Emma Bovary we have had a lasting experience, though the novels in which they figured may fall away into dimness and uncertainty.
The real heart and substance of the book, it might even be urged, stands out the more clearly for the obscurity into which the less essential parts of it subside.
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